Transforming Tradition: Book of Hours by the Master of Marguerite de Willerval
MASTER OF MARGUERITE DE WILLERVAL, Rennes?, France, c. 1440
This richly illuminated Book of Hours with 13 large miniatures provides a tangible insight into female devotion in 15th century France, combining courtly splendour with quiet contemplation. Created by the prolific Master of Marguerite de Willerval, this richly illuminated copy exemplifies the characteristic style of 15th century Breton manuscript production.
Price on request.
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Illuminated manuscript on vellum.
91 x 65 mm. 148 leaves, 13 large miniatures in arched frames.
Book of Hours/Hours of the Virgin in Latin and French with large illuminated Initials framed by delicate borders of coloured and gold leaves.
Fusing traditional Parisian book art with a graphic sharpness to create a unique object
Overview
This intricate Book of Hours was most likely created for the noble woman Ysabeau d’Orenge and handed down to her successors who used it as a ‘livre de raison’ recording events and deaths pertaining to the family.
The illuminator of this splendid manuscript, the Master of Marguerite de Willerval, specialised in creating luxury codices for patrons in numerous towns in Western France, including Angers and Le Mans. His recognisable style is marked by a distinguished sense of symmetry which unfolds in masterfully arranged scenes, closely framed by intricate baguette borders with fine whitework on sumptuous red and blue background. Delicately gilded floral borders provide a distinct frame mesmerising the eye with their intricacy.
The Master pointedly uses contrasting colours; vibrant reds, greens, and blues, to imbue the scenes with a striking vitality and refreshing crispness. The illuminations are characterised by a particular sharpness and definition which is reminiscent of the Master of Walters 221 who collaborated with the Master of Marguerite de Willerval on several occasions. The scenes often feature intricate geometrical backdrops which mirror the fine penwork of the surrounding borders. Using distinct layers and sharp contrasting elements in his compositions, the Master fuses traditional Parisian book art with his recognisable style, creating bright and intricate illuminations typical for Western France.