ArtworksClose1/2Totenoffizium und HeiligenlitaneiSüddeutschland, Konstanz, c. 1500-1525Die Handschrift entstand vermutlich in einem Dominikanerinnenkloster in der Diözese Konstanz, um 1500-1525. Sie wurde von der Nonne gefertigt, die auf dem Bild der Heiligen Dorothea mit dargestellt ist (fol. 56). Sie war entweder eine Tocher von Bernard und Elisabeth Peyer zu Freudenfels-von Münchweil oder wurde von diesen bezahlt, um für das Andenken des Paares zu sorgen.3of 3Zur Ehre der Familie Peyer zu Freudenfels-von MünchweilOverview
This work has been sold.
Written in Latin but with many title headings (rubrics) in German, this manuscript was written for Dominican use, for someone with special devotion to St. Dorothea as both St. Dominic and Dorothea are written in red ink in the Litany. The script shows the characteristics of an individual, personal hand, likely writing for his or her own use.
The Office of the Dead is often part of a Book of Hours, but functions here individually. The use of the Office of the Dead in funeral services dates from an early period. The commemoration of the dead is of all times and cultures, but for medieval Christian men and women, the cult of praying for the salvation of the soul of the dying and the dead was one of the most important aspects of religious life. The Office of the Dead is recited or chanted next to the bed of a dying person or, when the body had been carried into church, next to the bier at a funeral service. Continuous praying by future generations supposedly was to extend the bond between the living and the dead. This precious tradition handed down from the Middle Ages is memorialzed in the Peyer zu Freudenfels-von Münchweil manuscript at hand.
This work is now in the collection of the Archdiocese of Freiburg.